Gallery

There is no such thing as one defined motive in my paintings. The images you observe are a reflection of reality. Reality is never static, in the same way the painting is dynamic in its observation.

paintings 2011/2012

(2011 - 2012)

There is no such thing as one defined motive in my paintings. The images you observe are a reflection of reality. Reality is never static, in the same way the painting is dynamic in its observation.
There is no such thing as one defined motive in my paintings. The images you observe are a reflection of reality. Reality is never static, in the same way the painting is dynamic in its observation.

most recent paintings

(2009 - 2011)

There is no such thing as one defined motive in my paintings. The images you observe are a reflection of reality. Reality is never static, in the same way the painting is dynamic in its observation.
There is no such thing as one defined motive in my paintings. The images you observe are a reflection of reality. Reality is never static, in the same way a painting is dynamic in its observation.

paintings >2007

(2007 - 2009)

There is no such thing as one defined motive in my paintings. The images you observe are a reflection of reality. Reality is never static, in the same way a painting is dynamic in its observation.
There is no such thing as one defined motive in my paintings. The images you observe are a reflection of reality. Reality is never static, in the same way the painting is dynamic in its observation.

paintings 2004-2006

(2004 - 2007)

There is no such thing as one defined motive in my paintings. The images you observe are a reflection of reality. Reality is never static, in the same way the painting is dynamic in its observation.
During the academy I got stuck in my painting process. This resulted in a 3 dimensional focus and lots of sculptural experiments during that time. In 2002 after a period of almost 3 years without painting i was ready for confronting the canvas again.

paintings 2002-2003

(2002 - 2003)

During the academy I got stuck in my painting process. This resulted in a 3 dimensional focus and lots of sculptural experiments during that time. In 2002 after a period of almost 3 years without painting i was ready for confronting the canvas again.
Something that started as a small renovation job has grown into a fascination for architecture and space. It is incredibale that you can actually make almost anyting that you can imagine. In this category you can see some of my creations mostly with wood. You're welcome to contact me for some funky design.

spacial interventions

(1999 - 2013)

Something that started as a small renovation job has grown into a fascination for architecture and space. It is incredibale that you can actually make almost anyting that you can imagine. In this category you can see some of my creations mostly with wood. You're welcome to contact me for some funky design.
A collaboration of miss space-invader and dr-error (pauline van Schoonhoven and Marco Mooren). Most of the installations are a reaction on the location and her surroundings. The observer becomes a participant of the work. Interactive

installations

(2004 - 2005)

A collaboration of miss space-invader and dr-error (pauline van Schoonhoven and Marco Mooren). Most of the installations are a reaction on the location and her surroundings. The observer becomes a participant of the work. Interactive
graduation project for the Rietveld Academy. For this last year I offered to use the abandoned toilet-block as my workspace. I spent 9 months and passed many stations, in the end the space had lost its initial function and was replaced by a living sculpture where you could enter and feel like Alice in Wonderland

a proces in 100 m3

(2000 - 2001)

graduation project for the Rietveld Academy. For this last year I offered to use the abandoned toilet-block as my workspace. I spent 9 months and passed many stations, in the end the space had lost its initial function and was replaced by a living sculpture where you could enter and feel like Alice in Wonderland
In 2000 i spent 8 months of my artstudies in Lissabon. After 3 months i met someone who let me transform his house completely. I didn't leave a single square centimeter untouched.

Lisboa

(2000)

In 2000 i spent 8 months of my artstudies in Lissabon. After 3 months i met someone who let me transform his house completely. I didn't leave a single square centimeter untouched.
selction of works during my academy time

1995-2000

(1999 - 2000)

selction of works during my academy time